Updated July 23, 2023
When letters are compiled in various configurations, their different shapes can be attributed as meaningful or meaningless. And when the supposedly meaningful ones are arranged in rows like here, it is as if you read a story written by somebody other than yourself. Hence it seems there is more than One. But since the different arrangements of letters are interpreted by you, you are the maker of the story, so it does not prove there is more than One. Photo © Alexius Jorgensen.
Let us imagine that oneness consists of endless letters, some of those make up the shapes appearing in a world where there is more than one. However, since there is no separation in oneness, the letters that oneness consists of cannot be distinguished. Besides, oneness is so fast that it is one perpetual present. Therefore, since there is no time, it is impossible to organise anything linearly.
But suppose you imagine slowing down the speed of oneness until there appears to be space between its letters. In that case, they appear to have different shapes that, over time, can be combined in several combinations attributed with each their specific meaning. Hence space and time establish separation as real and the formlessness of oneness as unreal.
Fortunately, this fantasy of a world where there seems to be more than one is easily undone when you reverse it and instead speed up the thoughts that establish the meaning of the letters until there is no time to establish separation.
Suppose you need time to process what you read. In that case, it is not to understand it but to reduce the speed of thoughts so you can remain in the experience of a slowed-down version of oneness and appear calm although feeling alienated because you are not a separated being, but the formlessness of oneness.
In that which is One, everything moves so fast that there is no separation – like in the first image, where the extreme speed of the ceiling fan annuls separation. However, when the fan is slowed down, separation occurs. Likewise, a world where there seems to be more than one appears to come into being when imagining slowing down oneness. The graphic is grabbed from the web and manipulated by Alexius.In the movie Lucy, Scarlett Johansson demonstrates that when time is speeded up infinitely, there is nothing to see. This is comparable to that which is One. It is so speedy that there is no separation to define something. That is why it is formless, thus endless, and a world where there seems to be more than one is non-existing.
ONENESS VERSUS A WORLD WHERE THERE SEEMS TO BE MORE THAN ONE
Oneness can be compared to a movie played so fast that its frames look like one, making it impossible to see anything specific. However, slowed down, it seems like oneness is full of frames with a particular look – like a world with more than one.
Therefore, if you believe to be someone in the movie of a world where there seems to be more than one, you do not undo this belief by slowness but by quickness. You need to speed up the film – or rather, your interpretation of it. Since that is a construction of thoughts, the faster they move, the more the frames appear to press on, and the less you experience more than one.
The Ukrainian pianist Lubomyr Melnyk plays extremely rapid, intricate patterns of notes, which produce overtones so trance-inducing, that a cascade sound of purity makes you forget, it is ignited by the speed and complexity underneath it.
That happens by itself when thoughts are not shaped into interlocking Lego bricks, used to build an appearance of you as someone in a world where there seems to be more than one. Then thoughts are free to speed up until it is impossible to hold onto them, wherefore you enter a state of not-knowing. From where you return with the slate wiped clean to the awareness of being someone – or have your consciousness terminated by the Enlightenment of that which is One, so there are no experiences to hide there never was or will be anything but the formlessness of oneness.
If you close your eyes after having been deeply involved in something, physically or mentally, you may see it as a blurred picture speeding up like a movie frame. You do not feel disturbed if not holding back, because then its unrestrained energy ignites a take-off into the empty breath, which brings about the bliss of nothing.
The same applies when you worry and do not try to pacify yourself but instead step into the full uncontrolled speed of thoughts and emotions. Then a take-off into the empty breath is ignited.
So to repeat, returning to oneness is not about slowing down thoughts, least of all stopping them. If you do that, you are stuck in a single frame of an empty void, separated from similar ones. This numbness of stillness is as far away from oneness as you can get because that which is One is not deadlocked but free-flowing energy, moving at such a speed that everything is fused into the formlessness of oneness (see the first box).
Therefore, you undo the belief in a world where there seems to be more than one by speeding up thoughts to the extent that they do not appear to differ. Since that makes it impossible to interpret your experience as something specific, no shapes appear to hide the formlessness of oneness.
APPENDIX
Only in undoing the belief in more than one should thoughts not be organised into specific shapes. In a world where there seems to be more than one, thoughts must be set up in particular constructions to confirm your appearance. But maybe not how you expect.
NOTE: This article is part of Duality hack #9 In the bliss of nothing with the empty breath.
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